It’s good because it gives you more options. You access it in Flexible mode a little bit differently than you can do in Fixed mode, which is good and bad. There are multiple ways to get to the effects within Lightworks. Next, let’s have a look at the VFX panel (Figure 7).
![lightworks pro vs premiere lightworks pro vs premiere](https://pcnmobile.com/wp-content/uploads/2020/11/features-filmora-vs-adobe-premiere-pro.png)
Single-clicking again will bring you back out of that into a normal mode where you would just adjust one clip by itself.
![lightworks pro vs premiere lightworks pro vs premiere](https://www.cik.ro/wp-content/uploads/2015/06/editare-video-1024x517.jpg)
That allows you to go into a slip or slide mode, which moves both clips together. I was having a hard time figuring that out, but eventually I realized that in order to easily nudge clips or slide things, I needed to single-click between clips. Sometimes I would have an in and out point set and then I would put that clip on my timeline, but it would be slightly off because all of my cuts are right on a beat of the music, and so I would try to scrub something a little bit to the left or right and it would move too much or I would move everything.
#Lightworks pro vs premiere how to
One thing I struggled with in Lightworks was how to easily move the edges of clips. You can see me walk through the edits I did starting at the 8:07 mark in the video that accompanies the article. But once I got fluid with the Lightworks workflow, I got into a rhythm and things went pretty well. Again, it was a painful learning process getting used to those new keyboard shortcuts and getting used to this control surface, figuring out when to use it and when to stay on the keyboard or mouse.
![lightworks pro vs premiere lightworks pro vs premiere](https://static.videomaker.com/wp-content/uploads/2020/09/Premiere-Pro-Screenshot.jpg)
I took all my clips of music into Lightworks, and I organized everything just like I had in Premiere Pro, and then I pulled up my Premiere Pro sequence on the second monitor, replicated exactly what I had done there, and it was pretty easy. I also tried to determine if there were any ways I could have made it easier by using a different NLE. As in my Blackmagic DaVinci Resolve review previously in this series, I did a basic edit in Premiere Pro and then I took the clips that I used and the music and attempted to replicate that in Lightworks and see how easy or hard it was to do it.